When most people think of museums, they naturally think about displays, which curators refer to as exhibitions.
Professors teach in classrooms; curators teach largely through museum exhibitions. A Smithsonian curator has one of the world’s largest, if not the largest, “classroom”: Given that five million people annually visit the National Museum of American History, our exhibitions can reach millions of visitors per year. And a traveling exhibition can reach even more.
While my work had many other responsibilities, developing exhibitions was especially satisfying because they reached the public directly. Mine included half a dozen on Duke Ellington, several on jazz photography, and exhibits on Frank Sinatra, Ella Fitzgerald, Ray Charles, and the history of the piano. I am particularly proud of one of my exhibitions on Ellington that went global when the State Department condensed it into a series of colorful posters and distributed copies around the world.